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The music mixing system already worked great on Dropmix, the game’s previous physical iteration, but it works even better there. Everything reacts to the finger and the eye, you can switch between three drums, two voices, and three guitars in a few seconds and the game takes it all without flinching. The single-player campaign starts slowly at the difficulty level but climbs quite quickly, with plenty of tools to master and subtleties to take into account.

It also serves as the perfect tutorial for the game’s creative features that allow for really crazy stuff, mixing unrelated songs together and often getting smooth results. Being able to adjust and vary during the mix the key and the tempo of his songs and the volume of each disc, plus the switches and the fact of being able to change his whole mix in rhythm, plus the many instruments with loops and individual notes which can be automated or personalized, plus the many effects … There’s plenty to do some really crazy stuff and it’s just funny to be able to have fun with it all.

The multi-mode is also really interesting, requiring to be reactive, strategic, and know your collection. It is necessary to respond to the demands in the tempo to try to take precedence over the opponent’s mix. we only played about ten games but some matches were really satisfying and, since the game is cross-platform, hopefully, the servers will stay alive long enough.